IMG_0797Print maven, Seattle-based Brian Lane, has organised a portfolio for the Southern Graphics Conference in my favourite city, Portland, Oregon, that runs from 30th March to 2 April 2016. IMG_0776Entitled Dreamscapes: The Ebb and Flow of Time and Possibility, this portfolio asked artists to address their subconscious, where past and future collide.IMG_0801My dreamscape print is a linocut which I made last year, showing a woman’s face partly hidden and transformed by the petals of a white chrysanthemum. The chrysanthemum flower is from Asia, and white ones signify grief and bereavement, traditionally placed on graves. IMG_0777Lined up, the women and the chrysanthemums appear like masked warriors, eyes shut contemplating the past and protected against the future. IMG_0802

Dreamscapes Portfolio statement reads

 ‘Our subconscious provides unfiltered access to the storage vault of memories, observations, feelings, and the day to day minutiae that we absorb without knowing.  This storage is virtually unlimited, yet in the waking state we have trouble accessing this surplus of info and rely on our known thoughts and experiences to guide us.  However, in the sleeping state our brain is trying to process everything, resulting in manifestations that bridge past, present, and future realities into a subconscious soup of abstracted yet cohesive possibilities. Often we can barely comprehend what these dreams mean or why certain people, places, or memories have surfaced after being suppressed for so long. Our dreams and nightmares become the vehicle that travels down the vast pathway of our imagination.’

Participants include

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1. Brian Lane

2. Abraham Mong

3. Wuon Gean Ho

4. Kyle Huntress

5. Chris Dacre

6. Mare Blocker

7. Tyna Ontko

8. Chris Rollins

9. Travis Moorehead

10. Virginia Hungate Hawk

11. Amber Chiozza

12. Ashley Shumaker

13. Sean Smoot

14. Emma O’Leary

15. Nikki Barber

16. Ben Beres

17. Charlie Spitzack

18. Amy Oates

19. NateStottrupdd_09_pushing_print

Also at the SGCI conference, Marilyn Zornado and Barb Tetenbaum have coordinated a printmaking and animation showreel, which will be displayed on a video monitor in the atrium at the Pacific Northwest College of Art (PNCA), and at the Univ. of Oregon’s Grey Box Gallery. 33 of 55 submitted films were selected, spanning the entire range of print techniques and created by artists from all over the world. My linocut animation, Shift, which shows a ghostly dancing dress, will be there.

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Shift is on youtube: https://www.youtube.com/watch?v=LTyCksf-cCo

Grey Box Gallery, 24 NW 1st Ave. Portland, OR  http://whitebox.uoregon.edu/

22 Mar – 8 Apr, private view on 31 Mar 5–7pm

I wish I could be hopping on a flight to lovely Portland tomorrow to join in the fun… If anyone goes, please take some pictures for me!

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I’ve got a few things lined up for the first months of this year…

  • Firstly, my solo show, Beyond the Moon in Aberystwyth School of Art Gallery is still on; it will close on the 8th February. This is aptly the date of the new moon which signals Chinese New Year!

Andrew McPherson, the inventor of the magnetic resonator piano, is planning to create more sounds that respond to the work on the wall, and we shall have a closing event on the 1st and 2nd of February. There will also be new beautiful limited edition 32 page catalogue available to purchase for £10 (please contact me if you would like a copy of your own).

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  • Next up, in London, I have a print from the shadow dance series in the 75th Annual Exhibition of the Society of Wood Engravers at the Bankside Gallery, 48 Hopton Street, London SE1 9JH, from 29th January – 10th February. I shall be giving a demonstration of Japanese woodblock on the afternoon of 10th February.
  • Further up north, I am an invited artist for Impressit curated by Pete Clarke, Tracy Hill and Magda Stawarska Bevan at The Harris Museum and Art Gallery, Market Square, Preston PR1 2PP from the 23rd February – 29th April. I have been invited to display 16 of the dancing dresses, and shall reprint them in pairs for this show, as well as installing the animation in the space. The private view is scheduled for 1st March, and I shall be there, enjoying all that Preston has to offer! I am also teaching a workshop on printmaking that day.
  • In March I shall visit Belgium for the 9th International Biennial Exhibition of Contemporary Prints in Liege, in the Salles Saint-George, Beaux Arts de Liege, where they have bravely accepted all 40 of the dancing dresses and the animation. I shall give a demonstration of my techniques at the Liege academy while I am there.
  • And finally, back to Wales it will be in late March for another show, Between Spaces, which will be at the Aberystwyth Arts Centre from 23rd March to 11 May. For this one, I think I might be making something new…

One day, when they’ve made a teletransporter that doesn’t scramble you into a million pieces when you get reassembled, I’ll be able to invite everyone to visit my show, even if they live a million miles away… In the meantime, here’s some photos and a video. The weird cracking noise on the video is my knee- too much jumping around on concrete I think! I absolutely love the sound of the piano which transformed the space into a performance venue and changed the viewing of the work into a piece of drama.



 

Click on this picture below to view a video we made of the show, with the piano playing on its own.

And here’s a picture of me looking pleased!

My solo show is up in Material Gallery, and looks really nice! This is a cosy shop in a cute market town called Ludlow, in the heart of Shropshire, that is gaining a well-deserved reputation for fantastic books and magazines on design, as well as printed works and design led gifts.

I am showing prints, books and animations from the past few years, and in this space the different series of works seem to talk to each other…

Three Sleeper prints from 2009 hang in the main room, next to my first lithograph, Tiger Twins; both series depict dream-like interactions between sleeping girls and fictional beasts.

The Tiger Twins print was made in Aberystwyth School of Art with Tamarind Master Printer Paul Croft, and subsequently metamorphosed into the inspiration for my series of linocuts called Devour, one of which became the cover of last year’s Orange fiction prize winner,”The Tiger’s Wife.” So it seemed appropriate to order in a few copies of The Tiger’s Wife and put my autotgraph inside!

The Tiger books sit next to a wall full of fish. These prints I made in 2002 when I was fresh back from Japan and working in Kent close to a koi carp farm. I gave all of these fish completely fanciful names, like Fatso Bubbles, Dragon Baby and Record Groove, and it was my first project in a print studio in the UK.

Tucked into the bookshelf of Tigers we hid a mini projector and made a tiny screen at eye level to show my animations. This was a good solution to finding a dark spot in the shop for a movie screen without compromising the lighting elsewhere.  Shift, Costanza, Lucid Mask,and Time Slice films play on a continuous loop. You can view all of these on youtube if you click on the links on each of their names.

In the show, there are three types of mask print: the Mask prints from 2008 in glowing silkscreened colours; the Lucid Mask animation from 2010, and Fractured Masks from my residency in Liverpool’s Bluecoat in the same year. I wanted to show prints which have not been shown much since I made them.

The work from past two years on ghostly clothing takes up a good portion of the back of the shop. There are Dancing Dresses and pieces from the Shadow Dance series, which depicted clothing from Native American archives in the late 19C.

Next to these, the latest pages from the book Swallow are pinned to the wall.

Talking of books, underneath the Dancing Dress prints are a selection of 14 of my smaller hand printed and laser copied books including many flip books and books with hidden pages and unusual folds.

The whole show has more than 40 prints, and runs until the 27th May. 131 Corve Street, Ludlow. Catch it if you can!

 

Click on the dress or on the following link to see the 3 second dress test. It has been an interesting and slow process making intermediate frames from the 40 linocuts that I’ve made over the past year. I’ve made over 1000 frames. The final piece needs music and some poetic timing, but it’s almost done, hooray! Test animation ghost dress