Sometimes it’s interesting to take photos of the physical world that we cannot see.

changsha lean 2

My scarf is my collaborator: together we try to defy gravity.

changsha lean 1

The red earth, scorched yet still wet, is a piece of land in Changsha Normal University, cleared for a playing field. I spent one month there in April teaching Japanese woodblock  printmaking and giving talks in various venues.

changsha jump 1

I like the small shadows from the overhead sun after days of torrential rain and misty gloom. Photos freeze time.

Meanwhile in the UK, just the act of leaning in the forest is like that thought experiment: If a tree falls in the forest and no-one hears it, did it make a sound?

grizedale lean

If I lean on the air, and no one sees it, did it happen?

Ahhhh, but of course! I am seen! Here is the proof online!


New year new approach! I’ve decided to make some new screenprints on a large scale and challenge all my rules: that prints have to be identical, carefully made, and compact. These are full bleed prints to the edge of 112 x 76 cm paper (the screen is practically the absolute limit of my arm span), with bands of monoprinted colour and lots of overlaps and layerings. I had a lot of fun making them, and the series continues…dance_7671_e











One green scarf, one bouncy bed, one point and shoot camera on self timer, one tripod, one leaping person, twenty five times over. Well, actually I think I’ve taken a few hundred of these now, as the light and shade changes so quickly in my south facing room. I’ve been trying to make an animation of the sequence, though the still frames are possibly more potent than the moving image.

Link to a test piece below:

Anyhow, both make me laugh…which is why I make art, maybe?!?

Another investigation

Montefiore Flip

I’ve been enjoying remaking Muybridges’ “Animal and Human Locomotion” by putting together this sequence of photos taken by photographer Paul Weaver, “Investigating Flight”.  If I could fly, this is what I’d do, wave my arms around in a vertical sort of butterfly motion…


In all the fluster of New Orleans, I forgot to mention I’m in quite a few shows in the UK and abroad in the next few weeks.

1) Kicking it off will be a group show called Spring at the Smokehouse, with 50 artists all responding to the theme of spring. That show opens on Thursday 5th April more details are here. I’ll be showing my new dancing dress animation, Shift, in a vertical format, with a dress flying above it on the wall. There will be many other friends and colleagues at this show so please come and check it out.

2) I’ve been invited to be a guest artist in the 8th British Miniprint show, which opens on the 12th April in London Print Studio. My print is a big one, to show off how cute and small the other prints are, I’m sure! Other guest artists include Guy Langevin, He Weimin and Ana Maria Pacheco. More details here.

3) On that same day, I have 3 books in the 6th International Artist’s Book Triennial, Vilnius, Lithuania, 2012, on the theme of Love. All my books are about love, I realise. More details here.

4) Next up will be a group Lino show, Linoleum: The Cutting Edge, in Hemingway art, Oxfordshire, opening on the 14th and a celebratory steam roller event on the 28th April, more details here.

LINOLEUM art show invitation

This is from the blurb: Artists from the UK, USA and Germany present works that push the boundaries of the seemingly simple linocut artform, through large-scale prints, installation and animated films. The artists are Victoria Browne, Steve Edwards, Bill Fick, Wuon-Gean Ho, Scott Minzy, Nick Morley, Carsten Nicolaus, Chris Pig, Peter Rapp and Mark Andrew Webber.

5) I’m in the Glasgow International Book Fair on the 28 and 29th April, with East London Printmakers, should be a fun event.

6) Finally, one month away, but counting down, I have a solo show in Ludlow, Material gallery, opening on the 6th May.

PS) Oh yes, just got mentioned in the Guardian on Friday, my book cover for the Tiger’s Wife was singled out as different from the rest, in a good way. Nice!


For leap year, and in particular, leap day, I wanted to make a leap in time.

Last year’s dancing sequences were partly about celebrating this transient moments of weightlessness, so it was appropriate to team up with photographer, Angus Leadley-Brown who has developed an impressive circular bank of cameras to recreate what feels like being in the matrix- flying and frozen in motion.

We did the shoot in Stoke Newington Library, and there is a video of the set up of the cameras, which took 5 hours, and the final jumps, all here

And for the movie of the jumps themselves, without the previous set up, please go to this link