crow boy7-8_076The animation I was working on is finished! I put the sound track of carving wood onto the background. crow boy9-10_020

I changed the name of the animation to Shadow Boy as the work was started at Crow’s Shadow Press in eastern Oregon, and also because the boy is probably not native Crow.

crow boy10-11_002I learned a lot about how I work, as the animation involved hours of forensic reconstruction of my carving technique.

Here it is: vimeo.com/164877854

 

Shadow Boy animation will be shown in the brand new gallery space in the architectural-award winning Leicester Print workshop, alongside all the 10 linocut printed pages from the book, Swallow Span. The show is titled Light Line, and is a two person show with artist Angela Harding.

I chose the title Light Line as a description of what it is like to carve lino, as I was aware that Angela also works in this medium. Linocuts involve carving channels into lino to leave a light, or white line. We both work from dark to light, and use similar tools and materials. The phrase Light Line is a sort of pun on the phrase, Life Line, which for me is a comment on the act of creativity and expression, as well as in the more literal sense of the strong narrative elements of both of our work…

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Brush drawing for the dog who speaks Crow

I will be in Leicester giving a talk on my work on Thursday 14 July at 6.30 pm (doors open at 6pm, entry £5). All welcome!

50 St. George Street, Leicester, LE1 1QG. http://www.leicesterprintworkshop.com/

Light Line: Angela Harding and Wuon-Gean Ho

3 May – 31 July

(PS. Sometimes links don’t work, so here is the vimeo address on its own: vimeo.com/164877854 )

vimeo.com/161458407

crow boy _black to first frame038In Summer 2015 I went to Crows’ Shadow Press, eastern Oregon, and ended up making a series of 14 reduction prints of a fictional Native American boy and girl. crow boy1-2-017The reduction print process is one where you start off with a lino block which prints black because there are no holes in the surface. crow boy2to3_058As a mark is made with a gouge, that takes some of the block away, and the line which has been carved will print white, so the image becomes lighter and lighter until it disappears.crow boy3to4_110 The act of carving the face and body out of the darkness brought this boy to life but as I continued to carve I felt that I was destroying him with a literal and metaphorical whitening. crow boy3to4_010His face got sadder and sadder, and he looked older and more jaded until his eyes closed and he disappears.

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He still looks youthful and happy so far. Here is a test animation of the first part, made up of a few hundred frames. There are still thousands more to go!

Click on the link here vimeo.com/161458407

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It’s been interesting: reconstructing my carving technique in order to show how an image is pulled out of the darkness.

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I’d quite like to make the girl version as well…

In December last year I was invited to teach animation and artists’ books in Changsha Normal University, China. I had a great time! The students were enthusiastic and technically brilliant and we had a fun time working individually and collaboratively.

IMG_1561While I was in China I made a trip to Beijing, and visited a very strange theme park (whose name I’ve forgotten) full of examples of architecture from all over China. The house that took my fancy was called Fujian House: a reconstruction of the traditional architecture of the region, complete with elaborate brickwork, cool inner courtyards, dining room and beautiful snail antenna shaped roof details.

IMG_5469I know my great grandparents came from Fujian, so I started to imagine that I was visiting them, and that we were about to have some tea together. As I paced the courtyards I started to believe that they were just in the adjacent rooms.

IMG_1560So I made a book called Fujian House. The inner courtyard is replicated inside the book, so when you pull the book apart to form a central square, you can look around the courtyard. The brickwork is on the outside walls. When you half open the book there is a pregnant cat, lying on the ground, just relaxing.IMG_1574

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The book will be on display as part of the East London Printmakers Maker Library, launch event this Friday 1 April 2016, 6-9 pm.

More details here

https://www.facebook.com/events/1672251663046870/

Friday 1 April 6-9 pm.
East London Printmakers
19 Warburton Road, London, E8 3RT

Please come!

IMG_0797Print maven, Seattle-based Brian Lane, has organised a portfolio for the Southern Graphics Conference in my favourite city, Portland, Oregon, that runs from 30th March to 2 April 2016. IMG_0776Entitled Dreamscapes: The Ebb and Flow of Time and Possibility, this portfolio asked artists to address their subconscious, where past and future collide.IMG_0801My dreamscape print is a linocut which I made last year, showing a woman’s face partly hidden and transformed by the petals of a white chrysanthemum. The chrysanthemum flower is from Asia, and white ones signify grief and bereavement, traditionally placed on graves. IMG_0777Lined up, the women and the chrysanthemums appear like masked warriors, eyes shut contemplating the past and protected against the future. IMG_0802

Dreamscapes Portfolio statement reads

 ‘Our subconscious provides unfiltered access to the storage vault of memories, observations, feelings, and the day to day minutiae that we absorb without knowing.  This storage is virtually unlimited, yet in the waking state we have trouble accessing this surplus of info and rely on our known thoughts and experiences to guide us.  However, in the sleeping state our brain is trying to process everything, resulting in manifestations that bridge past, present, and future realities into a subconscious soup of abstracted yet cohesive possibilities. Often we can barely comprehend what these dreams mean or why certain people, places, or memories have surfaced after being suppressed for so long. Our dreams and nightmares become the vehicle that travels down the vast pathway of our imagination.’

Participants include

—————–

1. Brian Lane

2. Abraham Mong

3. Wuon Gean Ho

4. Kyle Huntress

5. Chris Dacre

6. Mare Blocker

7. Tyna Ontko

8. Chris Rollins

9. Travis Moorehead

10. Virginia Hungate Hawk

11. Amber Chiozza

12. Ashley Shumaker

13. Sean Smoot

14. Emma O’Leary

15. Nikki Barber

16. Ben Beres

17. Charlie Spitzack

18. Amy Oates

19. NateStottrupdd_09_pushing_print

Also at the SGCI conference, Marilyn Zornado and Barb Tetenbaum have coordinated a printmaking and animation showreel, which will be displayed on a video monitor in the atrium at the Pacific Northwest College of Art (PNCA), and at the Univ. of Oregon’s Grey Box Gallery. 33 of 55 submitted films were selected, spanning the entire range of print techniques and created by artists from all over the world. My linocut animation, Shift, which shows a ghostly dancing dress, will be there.

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Shift is on youtube: https://www.youtube.com/watch?v=LTyCksf-cCo

Grey Box Gallery, 24 NW 1st Ave. Portland, OR  http://whitebox.uoregon.edu/

22 Mar – 8 Apr, private view on 31 Mar 5–7pm

I wish I could be hopping on a flight to lovely Portland tomorrow to join in the fun… If anyone goes, please take some pictures for me!

My dad’s life changed dramatically when he broke his neck (C3/4/5) 21 months ago.
Amongst other things, he lost his signature, voice and mobility, and with that a lot of his freedom, independence and identity. Recently he has started to draw. These drawings are a looping tangle of elaborate marks, some of them practicing words and thoughts, others charting the limit of his movement.IMG_1193So I drew him while he drew. We both spent about 25 minutes listening to Eva Cassidy and chatting away.WG_drawing_dad_eThe resulting drawings have been printed as four colour photo-lithographs side by side: a measure of a small bit of time spent together, side by side.IMG_1205 There is also a video of my drawing process, sped up nine times, so it’s less than three minutes long. Here is the link vimeo.com/158802185

vimeo.com/158802185

 

His eyebrows are dark and round, like a moon shape, eyelashes straight like a cow. His ears are not a big ear, not a bat ear, people can hear anything sort of ear, no: he has normal size ears, with a lot of poodle hair. To me, he has never aged, he still looks young to me.

IMG_1123She has an oval face, and a few freckles, which are rather attractive. She walked very gracefully, and now, of course she has rosy cheeks and a lovely smile. She is still the most beautiful girl in the world.IMG_1126When I first met your mother, I knew I would marry her. I liked her because she wore no make up. I liked her simplicity, she didn’t wear lipstick or powder, nothing at all.IMG_0886 1I’m completely Chinese. Why this person can’t speak a word of Chinese can fancy me? He was not ugly, not good looking, ordinary sort of person. Not tall, quite okay.IMG_3850To me, she is the ideal woman. More or less I fell in love with her at first sight.IMG_3855He was university educated, that attracted me, nothing else.IMG_0045

 

Colour pencil drawings have helped me to make colour prints again. I was keen to make new prints for a show in Southwark that opened this week, so, telling myself there was nothing to lose, I threw myself wholeheartedly into the process, like a (very) rusty jazz musician.

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Layering colour is a bit like playing a visual version of jenga. At first you feel like you could put any colour, anywhere, but after a while the game gets dangerous, one layer too many and the whole thing comes crashing down… Some of these prints were just nasty, but it was interesting to see what the subconscious mind would produce so I kept on making… And some of the prints are completely unexpected and surprising and make me smile.IMG_1013

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Mid hang chaosIMG_1067

It’s been an interesting journey making work with no idea of what the end outcome will be. My carving is generally about concept, narrative and structure, so bringing in colour makes the prints more about emotion. I’ve enjoyed the freedom of making monoprints, and throwing together all the colours in my box of inks. (Now thinking it could be good to get in some more blues and greens…)

For those who live in London, the show is up til the end of Sunday 6th Feb, at Café Gallery, Southwark Park, London, from 11-4.