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Finally finished my animation Shadow Boy and Shadow Girl

You can click on the link to view it here :  https://vimeo.com/208883758

This work has taken me a while to complete, as I started this series of prints two summers ago when visiting Crow’s Shadow Press in the USA.

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Crows’s Shadow Press is located on a Native American reservation in the eastern high desert of Oregon. This print studio is surrounded by rolling grassland and huge clouds. Distant views of the mountains are filtered a luminous blue with the atmosphere.

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The area feels ancient. In front of the studio there is a small graveyard: a scattering of graves on a grassy plot, complete with plastic flowers, windmills, flags and clothing, all in homage and reverence.

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If you were to sit there for a while, you would only hear the fluttering of flags, the crisp rustle of insects in the dry grass, and perhaps the gentle creak of your own muscles and breath.

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I started to imagine what it would be like to become and then not become again in this place. I started to make a series of prints of a boy and a girl, dressed in clothing from the 1850s, during the time when formal traditional clothing was being abandoned for western styles.

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In the animation, the boy and girl emerge from the darkness, defined and described by a sequence of white lines. Gradually they change shape and expression, they appear to get older, more serious, lighter and brighter, until eventually they are carved away completely.

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The images are from two reduction linocuts which I carved and printed in sequence, using only one type of mark: a carved horizontal line. I made 14 prints of each image, one set of prints for the boy and one for the girl. Then I created thousands of in-between frames in photoshop by deleting the frame in front to reveal the frame behind and saving it as a new image.

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It was difficult to continue to carve away at the figures until almost nothing was left, as it felt like destroying the individuals themselves. I learnt a lot with how much can be said with very minimal lines.

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In some respects, the progressive carving and whitening of the block could be read as a loose metaphor for the whitening of indigenous populations, as well as a reflection on blurring of the past…

Here it is again https://vimeo.com/208883758

I’m happy to say that the work will be displayed in China next week.

I have taken a selection of 160 frames at life size (each frame is 15 x 20 cm, and there are 80 frames from each sequence) and placed them side by side to show the working process. The inkjet prints of these frames are a rich and velvety black. As the prints do not exist any longer, because the blocks were entirely carved away, it is nice to bring the prints back to life again. The animation and the inkjet prints will be displayed alongside each other in Changsha Normal University in Hunan province, China, during April 2017.

crow girl poster for changsha sheet 01_eecrow girl poster for changsha sheet 02_ee

crow boy poster for changsha 02_rejigged_eecrow boy poster for changsha 03 rejigged_ee

Pictures of the installation to follow!

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WG show invite june 2016My mum, a former nurse and midwife, is a constant source of amusement for the whole family, with her clear ideas on celebrity drugs (‘I just want a happy death’), keen interest in UKIP, and dirty humour when it comes to talking about the body. Screen Shot 2016-05-25 at 13.40.52She has been a brilliant model to film over the past two years: a natural actress who loves having the camera listen to her radical views. Getting older and weaker has made her more inventive, more resilient and resourceful. Even though the journey to see my dad in the care home is a four hour return trip, and her vision and balance is ropey, she will still plug into her ipod, hop on the bus and enjoy the ride. Screen Shot 2016-06-12 at 10.47.42She definitely has the balls. So, I made her a ring with a pair of balls which she gleefully refers to as Mao’s testicle ring (she misheard me when I said I’d made a ring with mouse testicles).  pendulous ring The above is a 3D file which was then printed on a 3D printer in wax. This was then attached to a ‘tree’ for casting in silver. Most of the rings I’ve been making over the past couple of years are hand-built and carved out of wax, so working with a 3D printed model is a new departure.IMG_1221IMG_1713 1As she has also survived breast cancer, I made her a breast ring too, which is meant to be worn with the nipple fitting snugly in the palm of the hand.IMG_2532_e_breast ringOnce I got into the idea of rings as trophies of desirable or missing body parts I couldn’t stop making them. Here is the bush ring. IMG_2503_bush ring_eThe film I made of my parents, Stoke Junkie, alongside more rings, books and prints will be displayed at the Royal College of Art Sculpture building, 15-25 Howie Street, Battersea, SW11 4AS from 26 June to 3 July. 12–8pm every day (apart from closed on 1 July). Drop me a line if you can make it! I’d love to show you around.

If you can’t make it, the film can be viewed at low res on vimeo here https://vimeo.com/170349107 (sorry the sound quality is not great)

And the trailer is here https://vimeo.com/168034112

IMG_0797Print maven, Seattle-based Brian Lane, has organised a portfolio for the Southern Graphics Conference in my favourite city, Portland, Oregon, that runs from 30th March to 2 April 2016. IMG_0776Entitled Dreamscapes: The Ebb and Flow of Time and Possibility, this portfolio asked artists to address their subconscious, where past and future collide.IMG_0801My dreamscape print is a linocut which I made last year, showing a woman’s face partly hidden and transformed by the petals of a white chrysanthemum. The chrysanthemum flower is from Asia, and white ones signify grief and bereavement, traditionally placed on graves. IMG_0777Lined up, the women and the chrysanthemums appear like masked warriors, eyes shut contemplating the past and protected against the future. IMG_0802

Dreamscapes Portfolio statement reads

 ‘Our subconscious provides unfiltered access to the storage vault of memories, observations, feelings, and the day to day minutiae that we absorb without knowing.  This storage is virtually unlimited, yet in the waking state we have trouble accessing this surplus of info and rely on our known thoughts and experiences to guide us.  However, in the sleeping state our brain is trying to process everything, resulting in manifestations that bridge past, present, and future realities into a subconscious soup of abstracted yet cohesive possibilities. Often we can barely comprehend what these dreams mean or why certain people, places, or memories have surfaced after being suppressed for so long. Our dreams and nightmares become the vehicle that travels down the vast pathway of our imagination.’

Participants include

—————–

1. Brian Lane

2. Abraham Mong

3. Wuon Gean Ho

4. Kyle Huntress

5. Chris Dacre

6. Mare Blocker

7. Tyna Ontko

8. Chris Rollins

9. Travis Moorehead

10. Virginia Hungate Hawk

11. Amber Chiozza

12. Ashley Shumaker

13. Sean Smoot

14. Emma O’Leary

15. Nikki Barber

16. Ben Beres

17. Charlie Spitzack

18. Amy Oates

19. NateStottrupdd_09_pushing_print

Also at the SGCI conference, Marilyn Zornado and Barb Tetenbaum have coordinated a printmaking and animation showreel, which will be displayed on a video monitor in the atrium at the Pacific Northwest College of Art (PNCA), and at the Univ. of Oregon’s Grey Box Gallery. 33 of 55 submitted films were selected, spanning the entire range of print techniques and created by artists from all over the world. My linocut animation, Shift, which shows a ghostly dancing dress, will be there.

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Shift is on youtube: https://www.youtube.com/watch?v=LTyCksf-cCo

Grey Box Gallery, 24 NW 1st Ave. Portland, OR  http://whitebox.uoregon.edu/

22 Mar – 8 Apr, private view on 31 Mar 5–7pm

I wish I could be hopping on a flight to lovely Portland tomorrow to join in the fun… If anyone goes, please take some pictures for me!

My dad’s life changed dramatically when he broke his neck (C3/4/5) 21 months ago.
Amongst other things, he lost his signature, voice and mobility, and with that a lot of his freedom, independence and identity. Recently he has started to draw. These drawings are a looping tangle of elaborate marks, some of them practicing words and thoughts, others charting the limit of his movement.IMG_1193So I drew him while he drew. We both spent about 25 minutes listening to Eva Cassidy and chatting away.WG_drawing_dad_eThe resulting drawings have been printed as four colour photo-lithographs side by side: a measure of a small bit of time spent together, side by side.IMG_1205 There is also a video of my drawing process, sped up nine times, so it’s less than three minutes long. Here is the link vimeo.com/158802185

vimeo.com/158802185

 

My mum was born in Malaysia, and came to the UK in the 60s to train as a nurse. Back then, she did not expect to meet my dad, raise a family far from her home town of Ipoh, and spend more than 50 years in the UK, speaking the third language that she has learned, surrounded by people with different ethnicity, working in hospitals as a midwife, helping my dad run a veterinary practice, and thoroughly immersing herself in the economy and politics of another place. She says there’s nothing you can’t do without a bit of effort. This was what a teacher had said when she was thinking of coming to England, even though English was her worst subject at school.

So anyway, I drew her while she told me a bit about her past. You can view the film here at vimeo.com/156493821

vimeo.com/156493821

Here is the promotional video for the Royal Mint Lunar collection, showing more about the design process for the 2016 Chinese Lunar Year of the Monkey. I can’t believe the stuff they do at Mint when it comes to making the dies and polishing them: when I realised it’s all done by hand I felt really bad for making such a fiddly design to polish to get that mirror finish…

https://www.youtube.com/watch?v=uYb7_A5mQL8

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http://www.youtube.com/watch?v=uYb7_A5mQL8

WG_drawing_dad_eWG drawing003_mum_e.jpgOver the past year, I’ve been hanging out and making a short film portrait (26 minutes) of my parents and their quirks. Mah Soon (dad) and YY (mum) spend their retirement days doing Tai-Chi and body-building, drinking whisky, watching Tarzan and poking fun at each other, until an accident happens that alters their lives deeply.

Here it is: https://vimeo.com/147916273 the password is Stoke

I’d love to know what you think.

WG drawing005_dad_eWG drawing008_CC_e_mum

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