Photos


In June, I was awarded the Atelier Presse Papier Prize at the Biennial Internationale d’Estampe Contemporaine de Trois-Rivières (BIECTR 2017) for my Orchis print series. The prize was a solo show in their gallery, and a residency in the print studio for two weeks, so I packed my bags and flew out to Canada.

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Trois-Rivières is a small town which has been hosting this amazing print biennial for the past 20 years. As the town is so small, the print biennial takes over the museums, library, galleries, old train station and cafés, with a suggested walking tour of the whole show that takes up a good afternoon.

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Catherine Gillet (Honorable Mention), Sabine Delahaut (Grand Prize winner) and yours truly.

There was a grand opening and some satellite events in Montreal and the University of Quebec, so my residency started off very social, with lots of old and new friends in town. These included Annie Bissett, Kikie Crêvecoeur, Heather Huston and many more local artists such as Guy Langevin, Jo-Ann Lanneville, Frédérique Guichard and Valérie Guimond.

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I enjoyed getting to know the other artists better, particularly as one afternoon we went from gallery to gallery talking to each other about our work, both in terms of technique and ideas. Sabine Delahaut was the grand prize winner and I loved her print narrative and approach. Other artists who gave talks included Heather Huston, Valentin Capony, Catherine Gillet and Valerie Geard.

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When putting the works together for the show, I decided to gather them under the broad term Seventh Sense. I was thinking about how we know what it is like to touch and taste, see and hear. But what of the other senses in our repertoire, the ones that speak of how we place our body in space, or ones that determine how we hope, those that convey indescribable emotions? For me, these senses fall into the realm of the seventh sense and beyond.

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Packing a show for a mysterious space is hard, but in the end the work fit the gallery surprisingly well.

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On the two long  walls there were big screenprints made as a triptych and a diptych from the Dance series and Orchis series.

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In the alcove I put two photos about leaning and flight that were taken in China, exploring the boundary of real and unreal. In the window there were three artist books from the Orchis Book series.

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Finally, I showed my animation Shadow Boy and Shadow Girl, alongside an inkjet print of some of the frames of the animation that were scanned and printed life size.

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The works in the show used different techniques, but explored similar themes of dance, and transformation.

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During the residency, I found myself going for a walk and a swim every day, as Trois-Rivières has a very amazing outdoor unheated pool that dates from the 30s.

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Piscine et pataugeoire du parc de l’Exposition

The sky was continually cloudy, with flashes of sunshine and a lot of rain. I’m planning work for a new book about that experience, now that I am back home.

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I completed some prints from the Diary series which I had started in China, and looked at the clouds every day.

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The Print studio and gallery, Atelier Presse Papier, are located in an old wooden building that leans like a ship, rolling downhill towards the St Laurent River. It’s run by a cooperative of artist printmakers who are both colleagues and friends. On one of the last days of my residency they held a lunch for me, complete with home-cooked Quebecois beans with maple syrup and some nice red wine.

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Seventh Sense is on until 30 July 2017 at Atelier Presse Papier, 73, rue Saint-Antoine, Trois-Rivières, QC, G9A 2J2. Tel 819-373-1980. Email presse.papier.atelier@cgocable.ca

https://www.pressepapier.net/expo-wuongean-ho

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My work for BIECTR is in Musee Pierre Boucher in Trois-Rivières until 10 September

IMG_6399Also, one print is showing at Atelier-Galerie A. Piroir in Montreal until 5th August.

BIECTR runs until 10 September 2017. It’s full of amazing work. For more information, or to buy the catalogue, please see http://www.biectr.ca/ or contact info@biectr.ca

 

 

 

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Sometimes it’s interesting to take photos of the physical world that we cannot see.

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My scarf is my collaborator: together we try to defy gravity.

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The red earth, scorched yet still wet, is a piece of land in Changsha Normal University, cleared for a playing field. I spent one month there in April teaching Japanese woodblock  printmaking and giving talks in various venues.

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I like the small shadows from the overhead sun after days of torrential rain and misty gloom. Photos freeze time.

Meanwhile in the UK, just the act of leaning in the forest is like that thought experiment: If a tree falls in the forest and no-one hears it, did it make a sound?

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If I lean on the air, and no one sees it, did it happen?

Ahhhh, but of course! I am seen! Here is the proof online!

These photos were made for a show called Poetry Scores Hawaii-Look Like What It Means that opens on February 15th in Hilo.The show is based around a collection of 25 poems by beat generation poet, Albert Saijo(1926-2011) who was a California-born Japanese-American writer. His style was distinctive, writing in capital letters, combining a fluid stream of haiku-like phrases with a playful honesty. I was invited by juror Phil Sanders to pick a poem to respond to.IMG_1640_e

The poem I chose was called PAB

PAB I INHABIT AN ANGEL BODY – THIS PRESENT I INHABITS A PRIOR I – HERE IS THE EARTH BODY AND HERE THE PRIMORDIAL ANGEL BODY (PAB) EXPRESSING ITSELF EARTHSTYLE THROUGH EARTH BODY – PAB IS EVER UPRIGHT EQUABLE SANE STILL EMPTY – THE ONLY NAVIGATOR – INVISIBLE – IDLE – IMMOBILE EVEN IN MOTION – THE CEPHALIZED COCOON THAT FITS WITHIN OUR SKIN EXACTLY – THIS UNMOVING CENTER BINDU DOT WALKING OVER 800 YEAR OLD LAVA – ROAD IS RAW LAVA WITH CLIMAX VEGETATION GRADED OFF – WALKING BODY BECOMES HOUSE OF ANGEL BODY – FOREST TAKES HUSHED HABIT IN LIGHT RAINIMG_1526_eThe show runs from 15 Feb to 15 Apr and there will be an opening reception on 10-11 Mar at the University of Hawai’i at Hilo, 200 West Kawili Street, Hilo, HI  96720-4091. For more information please see http://poetryscores.blogspot.com/

I wish I could see the show: any sponsors out there please get in touch!

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New scarf, new mysterious setting…

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Thinking of making another stop frame animation from the series…

A practical, hard working, no-nonsense but extreme eccentric, my mum has long frowned on art as a waste of time and an embarrassing activity that people who are bad at everything else end up doing.

However, today she put in her words what it means to be creative as follows:

‘You produce something no one else has thought of. Eventually you will do it. Accumulate all these good ones. Improve, improve, improve. Many years you observe when young. Make mistakes, give you insight to improve. Every time you improve. Next one, next one, next one, don’t know when. 80, 90 year old still think not perfect yet, still got a lot in there. This is what drive you.’

Nice words! Here she is doing Tai Chi in winter with a crazy assortment of clothes on…

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What is the catch? Is it catching? I’d like to practise on Trisha Brown’s Walking on the Wall…!

One green scarf, one bouncy bed, one point and shoot camera on self timer, one tripod, one leaping person, twenty five times over. Well, actually I think I’ve taken a few hundred of these now, as the light and shade changes so quickly in my south facing room. I’ve been trying to make an animation of the sequence, though the still frames are possibly more potent than the moving image.

Link to a test piece below:

Anyhow, both make me laugh…which is why I make art, maybe?!?

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