I just got back from a trip to the US where I spent time with many lovely friends and hung out in the forests and fields, forgetting about the hustle of London life. It was exactly what I was longing for: no near-death misses on my bike, no sirens all night, no tube strikes and city-wide roadworks: hurrah, instead the sound of the sea from my cabin at night, and lots of time outdoors. So I thought I would bring out my sketchbook, something that was a constant companion until I suddenly stopped a few years ago. One drawing a day, I thought, and I didn’t quite make it, but here are some of them.
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ForestIMG_3891_e

Grass Mountain

IMG_3892_eGrass Mountain
IMG_3893_eView of the sand spit from Cascade headIMG_3894_eView of Cascade head from the sand spit

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Sitka Center for Arts and EcologyIMG_3895Bus to Seattle, with annoying stranger who leaned on my arm the whole trip… ;(IMG_3882_ePrint Zero print studio in Seattle, run by Brian LaneIMG_3878_e

Brian LaneIMG_3879_e

Brian in pub

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Great show about disguise at the Seattle Art MuseumIMG_3897_e

IMG_5921_eThe rolling fields near Weston, OrIMG_5922_eIMG_5923_eSt Andrew’s Mission graveyard
IMG_5924_eOh the greyhound bus, next to prophets and veteransIMG_5925_eMo Osorio in LAIMG_5926_eDaisy and BongoIMG_5927_eJack Doyle’s cameraIMG_5928_eCabin in the forest
IMG_5919_eColumbia River GorgeIMG_3900_e

Hestia and MekoIMG_3899_e

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Greyhound, againIMG_3884_eOf course, many memories were undrawable, unphotographable, just nice to experience.

I was also fortunate to spend a few days in the beautiful Crow’s Shadow Press in eastern Oregon, which I first visited almost 10 years ago. It was great to catch up with friends, and breathe in the desert air, even though it actually rained there in August for the first time in years. I started to make a series of reduction prints which I am still working on now: here is a sneak preview.

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Wouldn’t it be great if this were an animation??

Hmmmmmmmmm, maybe.

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