How could I be so silent on the Impact printmaking conference? It was a five day extravaganza of printmaking lectures, panels, posters, entertainment, art and alcohol, with printmakers from all over the world congregating in Bristol. I put up the colour trial proofs from the mask series that I slaved on from last year. Soemhow they made a nice mass of faces staring out at the passers-by.



I also gave a talk during the conference on beasts in print, specifically looking at Marcelle Hanselaar’s wonderful dark etchings. You can read the text of the talk here.